Compositionally minimalist and texturally rich, this series is a simple, sophisticated approach to nightscape. Drawing and painting evolved together in cold wax embedded with charcoal dust and oil paint on stone paper.

Organic shapes float in serene relationships. Soft pastel hues recall childhood while layered media—plaster, paper, pumice stained with acrylic, worn by time, capture the complexity of evolving connections.

Repetition and presence alternate within us in a rhythmic dialogue. Here natural materials, ash, paper, and beeswax build layers of texture mirroring these cycles, the surface an echo, reverberating presence and return.

Prioritizing suggestion over description, evoking landscape without defining place, here layered textures and subtle colors bring us to an atmospheric place, simultaneously familiar and elusive.

Rain gifts us a sense of release. Subtly stained folded paper combines with construction, natural, contemporary and ancient paint mediums, communicating surrendered descent through falling.

These biophilic paintings use a winter palette to convey seeds as purveyors of hope. An amalgam of natural materials such as ash, walnut, plaster, paper and pumice maintain a harmony between material and subject.

Constructed with a consistent earth toned color world, these geometrically shape based paintings evoke my childhood memories of growing up in a midcentury modern home.

These small texturally and emotionally rich layered gems offer an artistic freedom not accessed in larger work. They span the gamut of the themes and subjects I usually engage.

Collected and displayed in homes and offices, these works continue their quiet conversations in private spaces. They settle into their surroundings, resonating with those who live alongside.